It’s a tai-kwon-do rock band battling drug smuggling ninja bikers. Need we say more? Continue reading SOLD OUT: MIAMI CONNECTION (1987) – 16th January 2014, The Cuban, Harbourside
As well as using social media to spread the word of our screenings, we’ve also been reaching out to and receiving a wave of good will from some of Bristol’s biggest magazines, websites and radio stations.
When we first started the Bristol Bad Film Club, our first problem was – how do we let people know that we even exist? In this day and age, the answer is generally social media, so our first step was setting up a Facebook and Twitter account.
This was all well and good, but we soon realised that we wanted to let people that might not be online know about who we are and what we were attempting to do. As one of us is an online editor, we wrote a series of press releases which we then sent out to the likes of the Bristol Post, Guide 2 Bristol and Bristol 24/7. Anything to get a couple of column inches or a passing mention.
The response we got was beyond anything we ever hoped for.
The Bristol Post put us on the cover on their weekend magazine and both Guide 2 Bristol and Bristol 24/7 ran articles on us. All of them were instrumental in building buzz for our first screening.
Now, ahead of our fourth (Starcrash), we’ve even been getting requests for interviews.
This month, co-founder Tim was featured in the ‘Bristol Lives’ section of Clifton Life Magazine, while the both of us were interviewed for Bristol’s biggest monthly magazine – Bristol Magazine (see below for both interviews).
We’ve also been invited numerous times on to BBC Radio Bristol to plug our shows and are very grateful to Laura Rawlings, Phil Hammond and Martin Evans for having us on.
Local movie podcast The Bioscopist has even had us on twice! Clearly we have the perfect faces for radio…
Back at the end of August, with one sell out screening under our belt, and a fast-selling-out second screening imminent, we put our minds to Hallowe’en, and what horrifically bad horror films could be shown.
Troll 2 leapt out as the obvious choice, (and because EVERYBODY had asked us to screen it) but we wanted to do something special. Discovering the child star of Troll 2 had made a documentary about the film (Best Worst Movie) and that successful double bills had been held of them both at venues around the world, we decided to gamble a little on whether a double bill would go down well with the bad film fans of Bristol.
It was a gamble that paid off. With an outside venue that held around 80 we were set for a fine Sunday evening of excruciating entertainment: 90 minutes of inexplicably deluded cinema followed by 90 minutes of endearingly frank, warm-humoured cinema. It was going to be great.
And then a few days before the screening, the news broke that the “worst storm of the last two decades” was going to hit. That night. Perfect. Would this decimate our audience? Would it keep people away? We were, after all, “outside” (albeit covered and heated).
In short, no. The bad-film-loving good people of Bristol braved what turned out to be just “a lot of rain” to enjoy the evening’s entertainment. And oh my goooooood, what entertainment. Troll 2 is deliriously bad, making little sense, with ‘actors’ who seem like they have never read anything before ever. Best Worst Movie reveals the troubled production and self-deluded director, whose insane decisions are the reason for most of the film’s awfulness.
Our next screening, Starcrash, amazingly (and unfortunately for those who weren’t quick enough) sold out within eight days. But for the disappointed ones who didn’t manage to get a ticket, rest assured: our future venues are getting bigger. So, get your friends to like us on Facebook, follow us on Twitter, and bring them along to a future screening. As ever, our first post-Starcrash screening will be announced on the night of that screening, so keep an eye on our site and social media on the 21st for the lowdown on the next screening to avoid disappointment. Because, believe me, our next screening is going to be AWFUL. And by awful I mean AMAZING.
It’s an Italian-produced Star Wars rip-off starring David Hasselhoff! Why have you not already bought your tickets?!
Everyone has heard of the spaghetti Western, but in the wake of Star Wars there were numerous European-produced ‘spaghetti space operas’… and this is one of the most infamous! STARCRASH! Continue reading SOLD OUT: STARCRASH (1979) – 21st November 2013: The Planetarium, At-Bristol
From the moment we started the Bristol Bad Film Club, we have been besieged with people going “Oh, you’ve got to show Troll 2“, but how did this film that famously scored 00% on Rotten Tomatoes become such a cult phenomena?
The story of Troll 2 has become legend to its legions of fans. In 1989, a bunch of first time actors were hired to make a film written and directed by a man who spoke no English. No one knew what they were doing and it shows.
“I was just having fun. I just thought, ‘What the heck, I’ll be in a movie for the experience of it. I probably will never get another experience like this again,'” says George Hardy, who is now a dentist in Alabama and who starts as Michael in the film. “We were just trying to make a good movie.”
They failed spectacularly.
Not only does the film have nothing to do with 1986’s Troll (the ‘2’ was added to cynically cash in on its success), but there’s not a single troll in the movie. Instead, it’s about a little boy, Joshua Waits, who is terrorised by vegetarian goblins who want to turn his family into plants and eat them.
“I thought that I was going to be a movie star. I thought that this was the next Gremlins or the next Labyrinth,” said Michael Paul Stephenson, who played Joshua Waits. “We put the VHS in and we all sat around the TV, and seven seconds in, my dad’s jaw dropped and he said, ‘Oh, Michael, this is a terrible movie.'”
However two decades later, the fact that it is SO bad has made it a fan favourite with people putting on special screenings all around the world to sold-out audiences.
“The biggest reason Troll 2 has become this phenomenon is that it’s sincere. It’s a sincere failure that haunts us,” Stephenson said. “With Troll 2, we thought we were making a great horror film, and that’s what causes people to smile and to laugh.”
Stephenson wanted to find out what happened to the people behind Troll 2 so he made a documentary, Best Worst Movie about the movie’s renaissance.
Unlike Troll 2 though, Best Worst Movie has received critical acclaim and turned George Hardy into a kind of cult celebrity.
It’s got such a following that word is that Troll 2: Part 2 is in development, giving the actors another chance at becoming a household names.
Last night at The Island – the old police station in Broadmead – over 100 bad film fans sat down next to the jail cells to enjoy our sophomore screening: SAMURAI COP.
Made in 1989 by Amir Shervan, Samurai Cop is a film that just keeps on giving. And for the vast majority of the audience (me included), this was a gift that was being unwrapped in all its awful, aweful glory for the very first time. And OH MY GOD it was glorious. The remastered version has just been released by Epoch Cinema, and I can’t recommend picking up a copy enough.
Welcoming the audience – an audience that was nearly double that of the Club’s first screening in August, of Ed Wood’s Plan 9 From Outer Space – was oddly less nerve-wracking than the first time. Funny how that works out. At that first screening we raised over £200 for Awamu, and that is thanks to the paying audience who came to enjoy the awfulness.
David Fells, founder and director of the Whiteladies Picture House Campaign talked about the project’s fundraising efforts, and the progress being made. Proceeds from this screening are going directly to the group. (We’ll let you know how much was raised from this screening once we’ve crunched the numbers.)
Timon introduced the film itself – of the two of us, he had seen it, loved it, and was insistent this be an early screener. Now I see why… He teased out details to look out for in the film itself – wigs falling off, black underwear, uncomfortably long love scenes – so that we could better enjoy the masterpiece to follow…
It’s a pure joy to be part of over 100 people laughing along to a truly terrible film. It’s a great thing to know there are fans out there wanting more of the same. Next month is a Hallowe’en special. And it’s going to be very special indeed…
See you at the next one.
Imagine a low-budget version of Lethal Weapon where Mel Gibson spends most of his time being racist to the Japanese, attempts to sleep with anything that moves and walks around in his pants a lot. That’s Samurai Cop, but it really is so much more than that…
Described as “both the best and the worst action film ever”, Samurai Cop is an unintentionally hilarious action film that sees San Diego cop Joe ‘Samurai’ Marshall dispatched to stop the drug-trafficking Yakuza cartel – The Katana Gang. Continue reading SOLD OUT: SAMURAI COP (1989) – 18th September 2013: The Island (The Old Police Station), Broadmead
On 8th September, Bristol Bad Film Club will be taking over #MTOS and turning the conversation to cinema’s worst.
Every Sunday at 8pm on Twitter, a series of 10 questions (one every ten minutes) is asked around a particular theme, with the hashtag #mtos.
Started by @MovieTOS, it has grown to be hosted by different people each week, with a wealth of topics covered. It’s a bit of fun on a Sunday evening.
Just start each tweet on the topic with the answer number, and finish it off with the #mtos hashtag, so your tweets look thus:
“A3. My amazing thoughts on this film. #mtos”
On Sunday 8 September from 8pm, Bristol Bad Film Club will be hosting the questions, all around – unsurprisingly – bad films. Of course, we’re not talking bad films like Transformers 3 or Taken 2, but the ones of the ‘so bad, they’re good’ variety.
Follow us @TheOtherBBFC (or click the Twitter follow button on the left) for the questions appearing on the night. To have a think in advance, please take a look at the questions below.
Q1. What makes a bad film so enjoyable? #mtos
Q2. What do you think of the recent trend of ‘intentionally bad’ films, like Sharknado? #mtos
Q3. What is the best giant animal monster seen on the big screen? #mtos
Q4. Who is the best DTV star of their generation? #mtos
Q5. What’s your favourite piece of dire-logue ever? #mtos
Q6. What are the worst special effects you have ever seen? #mtos
Q7. Sci-fi bad film or action bad film. Which is the most entertaining and why? #mtos
Q8. Which decade is the best for producing bad films, and why? #mtos
Q9. How do people making bad films not realise they’re bad films? #mtos
Q10. If you could see any bad film on a big screen, what would it be? #mtos
Bristol Bad Film Club holds screenings of these films at venues around Bristol. Our first screening, a sell-out, was of Edward D. Wood Jr’s Plan 9 From Outer Space. Our second screening is of the 1980s bizarre classic SAMURAI COP. If you’re local, why not come along and join the mayhem on Wednesday 18 September, at 8pm, at The Island (The Old Police Station) in Broadmead, Bristol.
Tickets are available here.