Tag Archives: greg sestero

Dare you enter The Room?

This month, we’re showing ‘the Citizen Kane of bad movies’ – The Room. But why has a film that is so bad become so popular? And how, after ten years since it first came out, does it continue to sell out around the world?

Great story Mark

Last year, co-star (and producer) Greg Sestero wrote a book called The Disaster Artist detailing how The Room came to be. In his hilarious book (which we highly recommend you get), Greg details how he met Tommy Wiseau at an acting school and was draw to the man’s bizarre accent (is he Austrian? Eastern European? No one actually knows…), his ‘unique’ style of acting and his passion for films. The two soon became friends, resulting in Wiseau’s last-second offer to Sestero of costarring with him in The Room, a movie Wiseau wrote and planned to finance, produce, and direct—in the parking lot of a Hollywood equipment-rental shop.

The shoot was a circus. Apparently, Wiseau spent $6 million of his own money on his film, opting to buy equipment outright, rather than hire it, which is the industry norm. However over eight months, which saw crew and assorted actors frequently fired, The Room came to life… like some sort of resurrected corpse.

Like a resurrected corpse, it made no sense, as Tommy insisted everyone stick to the words that he had originally written.

Despite the concerns of all the cast and crew, Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. The Room made $1800 at the box office and closed after two weeks. One reviewer said that watching The Room was like “getting stabbed in the head”.

But that was not the end…

Of the few people that saw the film, a handful realised the magnitude of the film’s unintentional hilarity. This prompted a series of midnight screenings in and around Los Angeles that allowed The Room to solidify its reputation as a cinematic experience, although not in the way Wiseau intended.

Before long, The Room had worldwide cult appeal and was being shown in cinemas all around the world, with audience participation on a par with The Rocky Horror Show.

And now, finally, we are showing it in Bristol!

Get your tickets here… you won’t regret it.

That damn gang and their stupid cocaine

Last Thursday, at The Cuban in Bristol, we showed our first film of 2014, Miami Connection, to a crowd over 180 people. 

Our fifth film overall, this was by far our largest: our previous largest screening had been to ‘just’ 110 people. With over 150 advance tickets sold for Miami Connection, this is hopefully a sign of things to come for 2014. Bristol has developed a taste for bad cinema, and we’re the guys with the menu.

I (Tim) kicked off with a brief welcome, before handing over to a couple of reps from the Travelling Light Theatre Company, the charity we were sponsoring for this screening. After a short video briefly outlining what they do, co-founder Ti introduced the film itself.

With a video explaining who Miami Connection writer, star, and all round awesome guy, YK Kim actually is, the audience was well prepared for the awful, awful majesty of what was to follow.

From my vantage point at the back, the audience reaction was unparalleled. Quite how many knew what they had let themselves in for, I don’t know. But I do know that many, many people went home with their lives changed after this event. Battling back tears of joy, I heard one audience member say with disbelief, “I am SO GLAD I came”.

This is what Bristol Bad Film Club is about. We didn’t start the club to make money, we started the club so we could travel through time. No, wait, that was the DeLorean. We started the club to watch bad films and have a good time. Watching a bad film on your own is OK. Watching a bad film in a group is immense. Watching a film in a group, with a drink and some food, and a great setting is the best.

One of the highlights of the evening was the visceral reaction to the trailer for what we have coming next. A custom-made teaser trailer made by Gaby Staniszewska delivered exactly what we needed. A resounding YES at the first glimpse of, followed by more recognition at the second glimpse.

Because, in February, we are, finally, showing…

SOLD OUT: THE ROOM (2003) – 20th February 2014: Cresswell Centre, Bristol Cathedral Choir School

The “Citizen Kane of bad movies” is finally here…

Continue reading SOLD OUT: THE ROOM (2003) – 20th February 2014: Cresswell Centre, Bristol Cathedral Choir School